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I know there's a lot more to adding music to the game than just making the music, but anything helps, right?
Actually that means it is copyright by you, and nobody else is allowed to use it.Collective Leader wrote:An answer to licencing: I don't actually use a licence, primarily because I don't know how. lol
This means that all of my music is free game.
Sounds like you'd want a CC-BY licence: http://creativecommons.org/licenses/by/3.0/And about remixing it: go ahead! Sounds awesome to me.
All I ask is credit for the music, and nothing more. Feel free to use whatever you want, however you want to use it.
Alright then, sounds simple enough. See, what I thought would happen is that you could go to www.listentoyoutube.com and download the videos as audio, and the license would come with it (as far as I can assume, but obviously I dunno what I'm talking about when it comes to licencingJorzi wrote:You don't need a licensing system to put a license on your work (although on youtube it helps people to know what license a particular video has). You just need to make an official statement along the lines of "I am the creator of this work and I hereby license it under (insert license name here)"
Hmm, sounds cool! Never thought of it like that before!Shadow Wolf TJC wrote:@ Collective Leader: I will admit, though, that you seem to reuse some elements of tracks. I noticed how the beginnings of Hacker, Master Plan, and Infiltration sounded so similar, and how the end of Dead Memories sounded so similar to the beginning of Industry. Personally, I don't think I'd need that much redundancy in terms of music tracks, though I do think that they could be combined to form new music tracks.
For example, you could replace everything after 2:13 from Dead Memories with everything after 0:10 from Industry to get a nice 5+ minute music track. You could also create a mix out of Hacker, Infiltration, and Master Plan due to their very similar tempo, in which you start off with either Hacker's or Infiltration's theme, and then transition to Master Plan's more intense theme, then switch back and forth between either Hacker's or Infiltration's theme and Master Plan's theme, for a track with uniform tempo, yet varying intensity. You could even combine parts of their themes (along with perhaps some parts of City of Light, though you may need to adjust the tempo of that) together for some interesting stuff.![]()